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Ben Wheatley to Direct the J.G. Ballard Adaptation High Rise

Aug 29, 2013 by Brian Gallagher

Ben Wheatley to direct the J.G. Ballard adaptation High Rise Ben Wheatley to direct the J.G. Ballard adaptation High RiseBen Wheatley (Sightseers, Kill List) has signed on to direct the J.G. Ballard adaptation High Rise for HanWay Films. Here's the novel's official description. "When a class war erupts inside a luxurious apartment block, modern elevators become violent battlegrounds and cocktail parties degenerate into marauding attacks on 'enemy' floors. In this visionary tale, human society slips into violent reverse as once-peaceful residents, driven by primal urges, re-create a world ruled by the laws of the jungle."

Amy Jump (Sightseers, Kill List) wrote the screenplay adaptation, with Jeremy Thomas producing. Vincenzo Natali was previously attached to direct, but once the rights lapsed, Jeremy Thomas decided to take the project in a different direction.

Here's what Ben Wheatley had to say about the project, and how he ended up working with producer Jeremy Thomas.

"I started looking into who had the rights for the book and that led me to Jeremy, who has made some of my favorite films. It took me a few meetings just to get over the typewriter he has from Naked Lunch in his office. The idea is to be true to Ballard. It is such a rich and interesting time that it seemed a shame to set it anywhere other than England. I was born in 1972, three years before the book was written, so one of the attractions of the film was that I kind of imagine myself as one of the kids running around on the estate and my parents as the adults. The scope of the film is exciting. It will be challenging, like Crash, but it's not as dark as Kill List. The book is pretty out there, though."

Production is scheduled to begin sometime next year in the U.K.

High Rise is in development . The film is directed by Ben Wheatley.


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‘Downton Abbey’ Season 4 Trailer: Love, Death and Integration

Downton Abbey Season 4

Downton Abbey will continue to explore modern morals with an antique feel in season 4 as Gary Carr joins the cast as the first black character to grace Crawley House. From the look of the trailer, he’s got some love and music in store.

What will be most interesting is the transitioning phase the story has to go through. After three years, they’ve plowed through WWI, focused on the roaring 20s and chronicled a huge pile of intense (soap operatic) drama. The family seems to face a crushing tragedy or soaring triumph on a weekly basis, and now the original impetus for the show’s existence has faded completely from the rearview mirror.

It’s all especially true after last season’s finale. The show finds itself evolving in more ways than one. Here’s a tease of the ch-ch-ch-ch-changes:

The UK gets it this month, but the US has to wait until January 5th.


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EXCLUSIVE: Bar Paly Talks Pain & Gain on Blu-ray

Aug 30, 2013 by The MovieWeb Team

Born in Russia and raised in Tel Aviv, Bar Paly came to Hollywood and immediately landed a series of roles on top television series before appearing in Pain & Gain. The actress turns in a hilarious and critically-praised performance as a Romanian-born stripper who naively believes the Sun Gym Gang (Mark Wahlberg, Dwayne Johnson and Anthony Mackie) are government agents on a dangerous, top-secret mission. As the movie makes its way to Blu-ray this week, we caught up with Bar to chat with her about the film. Check out our exclusive interview, and then be sure to check out the film this labor day weekend.

Pain & Gain was released April 26th, 2013 and stars Mark Wahlberg, Dwayne Johnson, Anthony Mackie, Tony Shalhoub, Ed Harris, Rob Corddry, Bar Paly, Rebel Wilson. The film is directed by Michael Bay.



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“Palo Alto” Trailer — Coming-Of-Age Indie starring Emma Watson, James Franco and Jack Kilmer

Francis Ford Coppola is accompanying his granddaughter, Gia Coppola, to this year's Telluride Film Festival for the premiere of her directorial debut "Palo Alto," a coming-of-age drama based on the collection of short stories by actor James Franco, who also co-stars in the picture alongside Emma Roberts. The indie film sees Roberts as a young high school student named April, who must decide to continue to have a secret affair with an older football coach (Franco) or start a relationship with a fellow troubled teen named Teddy (played by Jack Kilmer; son of Val Kilmer).

"Palo Alto" has yet to find a U.S. distributor, or release date, but you can check out the film's festival trailer, which is embedded above.

synopsis:
A dark drama centered on a group of teens with a penchant for finding trouble. (via imdb.com)

directed by   Gia Coppola

starring   Emma Roberts, James Franco, Jack Kilmer, Val Kilmer, Nat Wolff, Chris Messina, Zoe Levin, Claudia Levy, Keegan Allen, Don 'Father Guido Sarducci' Novello, Talia Shire

release date   2014


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EXCLUSIVE: Eric Bana and Rebecca Hall Talk Closed Circuit

Eric Bana and Rebecca Hall star as former lovers forced to defend a terrorist in the new thriller Closed Circuit. The British legal system and its policy of withholding secret evidence takes center stage when the lawyers, or in this case, barristers, discover a shocking conspiracy. Government surveillance and individual rights have become the most prescient themes of the year. Closed Circuit posits a scenario where unbridled power leads to disastrous consequences. Eric Bana, Rebecca Hall, and Director John Crowley discuss the merits and dangers of the surveillance society in our exclusive interviews. Watch and learn who's watching you!

Closed Circuit was released August 28th, 2013 and stars Kate Lock, Katherine Press, Patrick Warner, Ricky Nixon, Daniel Tuite, Zora Bishop, Vicky Jam, Zahra Ahmadi. The film is directed by John Crowley.


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“Tim Winton’s The Turning” Trailer — Aussie Anthology Film starring Cate Blanchett, Hugo Weaving, Rose Byrne and more!

source:   youtube.com

added: Wed, Aug 28th '13

Practically the whole Australian filmmaking industry (well, minus Hugh Jackman, Russell Crowe, Eric Bana, and Nicole Kidman, of course) appear in the new Aussie anthology film that's based on acclaimed author Tim Winton's sprawling book "The Turning," which tells 17 interwoven stories set in a sleepy Australian coastal town.

Oscar-winning actress Cate Blanchett, Hugo Weaving, Rose Byrne, Richard Roxburgh and Miranda Otto are among the talented Aussie cast, while Stoker's Mia Wasikowska and 300's David Wenham are going behind the camera for the first time in their careers, making their directorial debuts on two separate segments. The film, which also features actor Callan Mulvey (from the upcoming Captain America: The Winter Soldier) and up-and-comer Brenna Harding, is set to open theatrically in Australia beginning on September 26th. No word if or when the movie will open the States.

synopsis:
The Turning is a unique cinema event. Seventeen talented Australian directors from diverse artistic disciplines each create a chapter of the hauntingly beautiful novel by multi award-winning author Tim Winton. The linking and overlapping stories explore the extraordinary turning points in ordinary people's lives in a stunning portrait of a small coastal community. As characters face second thoughts and regret, relationships irretrievably alter, resolves are made or broken, and lives change direction forever. This watershed film reinterprets and re-imagines the work for the screen.

directed by   Justin Kurzel, Robert Connolly, Warwick Thornton, Anthony Lucas, David Wenham, Mia Wasikowska, much more

starring   Hugo Weaving, Cate Blanchett, Rose Byrne, Richard Roxburgh, Miranda Otto

release date   September 26, 2013 (Australia)


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Girl Most Likely


Release Date USA: July 19, 2013
Release Date: September 7, 2012

Genre:  Comedy movies (155) MPAA Rating: PG-13 - Parents Strongly Cautioned

Country:  USA Movies (418)
Runtime: 103 min
Director: Shari Springer Berman, Robert Pulcini
Music: Rob Simonsen
Screenplay: Shari Springer Berman, Robert Pulcini
Cast: Kristen Wiig, Annette Bening, Matt Dillon, Darren Criss


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Brady Bluhm Returns as Billy from 4C in Dumb and Dumber To

Sep 1, 2013 by Brian Gallagher

Filmmakers Peter Farrelly and Bobby Farrelly announced on their Twitter account yesterday that actor Brady Bluhm is returning as Billy in Dumb and Dumber To. Brady Bluhm returns as Billy from 4C in Dumb and Dumber To Brady Bluhm returns as Billy from 4C in Dumb and Dumber ToAs you may recall, Billy was the young, blind neighbor of Lloyd Christmas (Jim Carrey) and Harry Dunne (Jeff Daniels) in the original 1994 classic Dumb and Dumber, whom Lloyd sold his dead bird Petey to. The actor joins Kathleen Turner, who joined the cast of this comedy sequel on Friday.

Bobby Farrelly and Peter Farrelly are directing from a screenplay by Sean Anders and John Morris (Sex Drive, That's My Boy). Production is expected to begin this summer, but an exact shooting date has not been revealed yet.

After appearing as Billy in Dumb and Dumber, Brady Bluhm voiced the classic character Christopher Robin in several Winnie the Pooh movies such as Winnie the Pooh: A Valentine for You, Pooh's Grand Adventure: The Search for Christopher Robin and Winnie the Pooh: Seasons of Giving.

Dumb and Dumber To comes to theaters in 2014 and stars Jim Carrey, Jeff Daniels, Kathleen Turner, Brady Bluhm. The film is directed by Peter Farrelly, Bobby Farrelly.


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“Rush” TV Spots — Ron Howard’s Formula One Racing Drama starring Chris Hemsworth and Daniel Bruhl

Though there will be no talking snails in this racing movie, you can definitely expect plenty of trash talking between Formula 1 race car champions James Hunt (Chris Hemsworth) and Niki "The Rat" Lauda (Daniel Bruhl) in director Ron Howard's latest effort "Rush," which you can now check out a couple of brand-new TV spots.

Howard has reunited with "Frost/Nixon" scribe Peter Morgan to tell the true story of two legendary drivers who lit up the raceways throughout the 70's. And oh boy, they couldn't have been more different: British champion James Hunt was a natural-born speedster, living the good life as a hotshot playboy who loved fast cars and faster women, while his Austrian racing rival Niki Lauda studied tracks, worked on engines and improved his racing skills to become the best of the best.

"Rush" is scheduled to open in select theaters starting on September 20th, before expanding wide on September 27th.

synopsis:
The epic action-drama stars Chris Hemsworth as the charismatic Englishman James Hunt and Daniel Bruhl as the disciplined Austrian perfectionist Niki Lauda, whose clashes on the Grand Prix racetrack epitomized the contrast between these two extraordinary characters, a distinction reflected in their private lives. Set against the sexy and glamorous golden age of Formula 1 racing, Rush portrays the exhilarating true story of two of the greatest rivals the world has ever witnessed -- handsome English playboy Hunt and his methodical, brilliant opponent, Lauda. Taking us into their personal lives on and off the track, Rush follows the two drivers as they push themselves to the breaking point of physical and psychological endurance, where there is no shortcut to victory and no margin for error. If you make one mistake, you die.

directed by   Ron Howard

starring   Chris Hemsworth, Daniel Bruhl, Olivia Wilde, Natalie Dormer, Alexandra Maria Lara, Christian McKay

release date   September 20, 2013 (Select Theaters), September 27, 2013 (Expands Wide)


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Rooney Mara to Replace Mia Wasikowska in Carol

Sorry, I could not read the content fromt this page.

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Kurt Russell in Talks for Fast & Furious 7

Aug 30, 2013 by Brian Gallagher

Kurt Russell is in talks for Fast & Furious 7 Kurt Russell is in talks for Fast & Furious 7Kurt Russell is in negotiations for an unspecified role in the upcoming action sequel Fast & Furious 7. Insiders claim the part was offered to Denzel Washington before Kurt Russell entered talks, which likely means the character is an integral part of the story.

Franchise stalwarts Vin Diesel and Paul Walker return as Dominic Toretto and Brian O'Connor, alongside new additions Jason Statham as Ian Shaw, the brother of Fast & Furious 6's Owen Shaw (Luke Evans), Ronda Rousey and Tony Jaa. No story details have been given, except that the story will return back to Los Angeles where the franchise kicked off in 2001 with The Fast and the Furious.

James Wan is directing from a screenplay by Chris Morgan, with Neal H. Moritz and Vin Diesel producing. Shooting is scheduled to begin this fall in Atlanta.

Kurt Russell most recently starred in the football drama Touchback. This will not be the first time the actor gets behind the wheel for a high-octane thriller. He portrayed Stuntman Mike in Quentin Tarantino's Death Proof.

Fast & Furious 7 comes to theaters July 11th, 2014 and stars Vin Diesel, Paul Walker, Jason Statham, Ronda Rousey, Tony Jaa, Kurt Russell. The film is directed by James Wan.


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The Hobbit: Desolation of Smaug Photo Reveals Beorn in Bear Form!

"In The Hobbit, Beorn received Gandalf, Bilbo Baggins, and the 13 Dwarves and aided them in their quest to reclaim the Dwarves' kingdom beneath Erebor, the Lonely Mountain. He was convinced of their trustworthiness after confirming their tale of encountering the Goblins of the Misty Mountains, and Gandalf's slaying of their leader, the Great Goblin. Aside from giving the group much-needed resupply and lodging after their escape from the Goblins, Beorn gave them vital information about what path to take to cross Mirkwood. As it turned out, Thorin's original plan to cross using the Old Forest Road located much further south would have led them into disaster, as the road had fallen into disrepair and become flooded near the eastern end. Instead, Beorn informed them of a secret path made by the Elves which ran east-west from Thranduil's halls at the River Running at the eastern end, all the way to a western outlet not far from Beorn's home.

Later, hearing of a vast host of Goblins on the move, Beorn arrived at the Lonely Mountain in time to strike the decisive blow in the Battle of Five Armies, in his bear form, slaying the Goblin leader, Bolg, and his bodyguards; without direction, the Goblin army scattered and were easy pickings for the other armies of Men, Elves, Dwarves, and Eagles.

In the years between the Battle of Five Armies and the War of the Ring, possibly spurred by his interaction with Thorin & Company, Beorn stopped being a recluse, and rose to become a leader of the woodmen living between the Anduin river and the fringes of Mirkwood, rallying them against the remaining Orcs in the mountains. His people were known as the Beornings, and they helped defend Thranduil's kingdom at northern Mirkwood. As stated by Glóin in The Fellowship of the Ring, the Beornings also "keep open the High Pass and the Ford of Carrock." He presumably died some time before the War of the Ring itself began, and was succeeded by his son Grimbeorn the Old.

Even though Beorn could have been dead by the time, his death is not included in the chronologies in that book's appendices."


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Colin Firth Defends the West Memphis Three in First ‘Devil’s Knot’ Stills

devils-knot

Courtesy of EW comes this first, small look at Atom Egoyan‘s Devil’s Knot, the dramatization of the horrible tale of the West Memphis Three, a trio of teenage boys who were convicted in the 1993 murders of three eight year-old boys despite a lack of evidence. Though the incident has been the subject of several documentaries, this is the first time their story has come to the big screen as a factual, but fictionalized drama based on a 2002 nonfiction book of the same name by Mara Leveritt.

Colin Firth is front and center in the only two stills released, and handsome as the man is, they’re not giving us much to work with before the film’s premiere at TIFF. Firth plays Ron Lax, a private investigator who worked to find DNA evidence that proved the three teens may not have committed the heinous crimes. In the first image, Firth appears on his massive ’90s brick phone, chatting about important PI business, while in the second, he sits in the courtroom with another investigator (Collette Wolfe) looking like they both just heard some bad news.

devils-knot-02

Hopefully the studio will be forthcoming with more imagery and footage, because as it stands, Devil’s Knot doesn’t have a U.S. distributor yet. As the case is one of the most powerful and polarizing in recent history (the trio were not released from prison until 2011), that fact is likely to change. We’ll surely hear a lot about this film soon, especially with it set to bow at the Toronto International Film Festival next month.


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Riddick Featurette

Aug 29, 2013 by Brian Gallagher

Pitch Black and The Chronicles of Riddick fans have waited nine long years to see what will happen to Richard Riddick next, which culminates with the release of Riddick on September 6. Vin Diesel and director David Twohy explain how fans' desire for another sequel is what fueled this production. Watch the first featurette, which includes the latest footage and interviews with the star and writer-director as they break down the story.

Riddick comes to theaters September 6th, 2013 and stars Karl Urban, Vin Diesel, Katee Sackhoff, Nolan Gerard Funk, Dave Bautista, Bokeem Woodbine, Jordi Mollà, Raoul Trujillo. The film is directed by David Twohy.


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“Narco Cultura” Trailer — Documentary From Photojournalist Shaul Schwarz, Focuses on Mexico’s Drug Culture

source:   trailers.apple.com

added: Mon, Aug 26th '13

After years of covering the drug wars in Mexico, award-winning photojournalist Shaul Schwarz makes his first foray into filmmaking with the eye-opening documentary "Narco Cultura." Taking an unflinching look at Mexico's emerging culture of drugs, violence and corruption, the film follows the lives of two subjects: a dedicated police team investigating the brutal drug trade and a rising "Narco-corrido" folk band who are known for their explicit lyrics about high-powered guns and grisly murders (think Mariachi meets Gangsta Rap).

"Narco Cultura," which premiered earlier this year at Sundance Film Festival, where Schwarz was recognized for his gusty (and life-risking) storytelling, will be heading into theaters sometime this fall. In the meantime, check out the film's newly-released trailer, above.

synopsis:
To a growing number of Mexicans and Latinos in the Americas, narco-traffickers have become iconic outlaws, glorified by musicians who praise their new models of fame and success. They represent a pathway out of the ghetto, nurturing a new American dream fueled by an addiction to money, drugs, and violence. From war photographer Shaul Schwarz comes NARCO CULTURA, an explosive look at the drug cartels’ pop culture influence on both sides of the border as experienced by an LA narcocorrido singer dreaming of stardom and a Juarez crime scene investigator on the front line of Mexico’s Drug War.

directed by   Shaul Schwarz

release date   Fall 2013 (In Theaters)


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An Attempt to Defend ‘Scooby-Doo 2′ in Anticipation of ‘Guardians of the Galaxy’

monsters unleashed 01

Two news items from the past week have me recalling a movie from nearly a decade ago: Scooby-Doo 2: Monsters Unleashed. There was the announcement by Warner Bros. of a new animated feature based on the classic cartoon franchise, which is the obvious source of my considering Raja Gosnell’s live-action adaptations. Then there was the continued coverage of Marvel’s Guardians of the Galaxy, particularly the voice casting for its CG characters. That comic book movie is being helmed by James Gunn, who scripted both 2002's Scooby-Doo and the 2004 sequel. I remember enjoying the latter a lot when it hit theaters, surprised that it was so much better than the misguided original and even more surprised that it was actually received worse by critics.

But could I defend Monsters Unleashed today? I revisited the movie this week in the hopes of doing so, but I don’t think I can. And this isn’t some case of where my love for something as a kid turns out to be terrible after all. That’s reserved for Howard the Duck (which I still love anyway). I saw Scooby-Doo 2 in my mid-20s. No, I wasn’t high. Perhaps I was simply relieved the movie was so tied back to the initial series, Scooby Doo: Where Are You?, with its call-back of ghosts and villains, and that it was an improvement over the first movie, which had had the balls to turn Scrappy Doo into a bad guy (and featured Sugar Ray — blech). Somehow that was enough to have me overlooking all the KFC advertising and easily dated soundtrack and all the fart humor — both of the faux “that was my leather outfit” jokes and the defeating a foe with nervous canine gas gag variety.

Ironically, a few years later when I was expecting to pan Gosnell’s live-action take on The Smurfs if there were any fart jokes, I kind of gave it a pass solely for the fact that it didn’t. And the fart joke in The Muppets was one of the big factors in my disappointment there. I think I probably don’t mind it if it comes from an animated dog that has been all about childish anthropomorphic shtick since the 1960s. Same goes for another ghost being temporarily thwarted with a kick to the groin, among a few other nods to de-masculation. While the animated cartoon might not have been so crude, this is how live-action cartoons are, unfortunately. Outside of that distinction, Monsters Unleashed does feel a lot like a three-dimensional rendering of a Where Are You? episode — as in it being live-action, not 3D, which hadn’t yet exploded in cinemas.

Other disappointments in the re-watch include the difference between how little Tim Blake Nelson is in the movie compared to how much he had appeared in my memory of the movie. I also had come away focused on the relative plausibility of the ghost mysteries, as in Scooby Doo was always about the supposed paranormal activity being explained as practical effects. There’s still more of that here than in the first movie, but Monsters Unleashed also primarily deals with a machine that supernaturally brings the classic creatures to “life.” Additionally, there is some magic via chemistry that transforms Scooby and Shaggy into different forms, including the latter being victim to the most disturbing man with a woman’s body gag since Hardbodies. Oh, and inexcusably there is one sort of homophobic joke at the end.

So what was and still is there to love? I think Matthew Lillard is absolutely perfect as Shaggy. I also love Linda Cardellini as Velma, even if she’s a little too take-the-glasses-off-and-she’s-hot take on the character in this sequel (it’s also a shame she’s given a heteronormative romantic plot, especially after Gunn tried to writer her as gay in the first movie). The self-aware tone is usually on the lighter but still amusing side, comparable to something by Joe Dante, especially Gremlins 2: The New Batch (the 10,000 Volt Ghost is now reminiscent of the electric Gremlin, while smart Scooby sounds like the smart Gremlin) and Looney Tunes: Back in Action (which I think is highly underrated, as well) more than the over-parodying nature of the Brady Bunch movies of the ’90s. The cameo from the Tasmanian Devil almost seems thrown in by Dante himself.

scooby 2 05

The production design by Bill Boes and the rest of the art department’s work is also really great for this sort of movie — not unlike how designers like Michael Corenblith (The Grinch) and Alex McDowell (The Cat in the Hat; Charlie and the Chocolate Factory) can manage to give an interesting live-action cartoon look to otherwise awful movies. Monsters Unleashed looks as it ought to all the way around, with even the CG rendering of the title character being far more tolerable than a lot of his kind.

On the subject of those Seuss adaptations, it’s interesting that there’s a new trend in moving these kinds of franchises back to full animation rather than the live-action/CG hybridization that had become a norm. Before the news about the next Scooby feature heading back to the drawing table, we heard about another How the Grinch Stole Christmas adaptation that also will be animated. And a stop-motion reboot of The Addams Family has been in development, as well. Maybe we’ll eventually see new all-animated features of The Smurfs, Alvin and the Chipmunks, Garfield and G.I. Joe eventually, too. There’s something seemingly purer but less fun about going that route, even if the novelty of live-action portrayals can get old after a while (as do the actors trying to continue to play ageless figures). Don’t worry, everything comes full-circle again, ultimately, as we’re seeing with the Teenage Mutant Ninja Turtles rebooting as live-action again following an animated one-shot.

Meanwhile, it’s hard not to think about the Scooby-Doo movies while anticipating Guardians of the Galaxy and thinking about the animated characters of Rocket Raccoon and Groot and how they’ll compare to the talking dog here. Gunn has also worked on two superhero movies previously (The Specials and Super), but it’s the team of young detectives of Mystery Inc. including a goofy animal role that sounds more in tune with the upcoming Avengers franchise installment. I think we can assume Rocket Raccoon won’t be farting flames at villains, though. Still, aside from the integrity seen so far with Marvel Studios and the passion of the fanbase, there’s barely a lot of separation between source material like Scooby Doo: Where Are You? and Guardians of the Galaxy comic books.

Alas, if we want to see something with Bradley Cooper and fart noises, we’ll have to settle on old Stella shorts:


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Bradley Cooper Is Rocket Raccoon in Guardians of the Galaxy!

Aug 30, 2013 by B. Alan Orange

Bradley Cooper is Rocket Raccoon in Marvel's Guardians of the Galaxy
Rocket Raccoon has finally found his voice!

Academy Award-nominated actor Bradley Cooper has officially joined the cast of Marvel's Guardians of the Galaxy, lending his voice to the fan-favorite raccoon that will join Peter Quill (Chris Pratt), Gamora (Zoe Saldana) and Drax (Dave Bautista) on their epic adventure.

Cooper has previously starred in Silver Linings Playbook, for which he was nominated for an Oscar, Limitless, The Place Beyond the Pines and The Hangover trilogy, the latter of which has grossed $1.4 billion globally. He will next be seen in American Hustle which will reunite him with Silver Linings Playbook director David O. Russell. Guardians of the Galaxy will mark Cooper's first voiceover work.

In the far reaches of the Marvel Cinematic Universe, an unlikely cast of characters including Peter Quill, Gamora, Drax, Groot and Rocket Raccoon must join forces to defeat a cosmic force of epic proportions. Directed by James Gunn, the live-action Guardians of the Galaxy will take fans to new corners of the Marvel Universe when it hits theaters August 1, 2014, but in the meantime stay tuned to Marvel.com for the latest news as it breaks, including official casting, first looks and more!

In addition to Guardians of the Galaxy, Marvel Studios will release a slate of films based on the Marvel characters including Thor: The Dark World on November 8; Captain America: The Winter Soldier on April 4, 2014; The Avengers: Age of Ultron on May 1, 2015; and Ant-Man on November 6, 2015.

Guardians of the Galaxy comes to theaters August 1st, 2014 and stars Chris Pratt, Dave Bautista, Zoe Saldana, Michael Rooker, Ophelia Lovibond, Lee Pace, Glenn Close, Karen Gillan. The film is directed by James Gunn.



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“Thor 2: The Dark World” 60-Second TV Spot — starring Chris Hemsworth, Natalie Portman and Tom Hiddleston

There's not much, if any, new footage in the first TV spot for Marvel's highly-anticipated comic book sequel "Thor: The Dark World." But, hey, we can think of worse ways to spend 60 seconds. Watch Chris Hemsworth as the God of Thunder, who must now team up with his back-stabbing half-brother, Tom Hiddleston's Loki, in order to save his two loves -- his beloved realm of Asgard and his extremely long-distant human girlfriend Jane (Natalie Portman) -- from a vicious ancient race of Dark Elves.

With a returning cast that includes Anthony Hopkins, Idris Elba, Jaimie Alexander and Ray Stevenson, the action-adventure slugfest appears to be leaning towards a more darker tone compared to the original. Which may be due to the film's director Alan Taylor, who was coming off a 6-episode directing stint on HBO's flagship fantasy show "Game of Thrones." So, when the movie hits theaters on November 8th, will we see a brooding Thor caught in a ruthless power struggle, where executions are freely enforced without much warning? Gawd, we can only hope so.

synopsis:
Marvels "Thor: The Dark World" continues the big-screen adventures of Thor, the Mighty Avenger, as he battles to save Earth and all the Nine Realms from a shadowy enemy that predates the universe itself. In the aftermath of Marvels "Thor" and "Marvels The Avengers," Thor fights to restore order across the cosmos -- but an ancient race led by the vengeful Malekith returns to plunge the universe back into darkness. Faced with an enemy that even Odin and Asgard cannot withstand, Thor must embark on his most perilous and personal journey yet, one that will reunite him with Jane Foster and force him to sacrifice everything to save us all.

directed by   Alan Taylor

starring   Chris Hemsworth, Natalie Portman, Tom Hiddleston, Anthony Hopkins, Christopher Eccleston, Rene Russo, Stellan Skarsgard, Jaimie Alexander, Kat Dennings, Ray Stevenson, Zachary Levi, Chris O'Dowd, Idris Elba

release date   November 8, 2013


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Carrie Behind-the-Scenes Featurette

Aug 31, 2013 by B. Alan Orange

Director Kimberly Peirce joins stars Chloe Moretz and Julianne Moore for a behind-the-scenes look at Carrie, their new horror remake of the classic Stephen King novel. Find out what makes Carrie function in a society that is not ready to accept her supernatural abilities, and see how the climactic prom scene was recreated for a new generation of horror fans. Carrie Photo 1

A reimagining of the classic horror tale about Carrie White (Chloe Moretz), a shy girl outcast by her peers and sheltered by her deeply religious mother (Julianne Moore), who unleashes telekinetic terror on her small town after being pushed too far at her senior prom.

The quiet suburb of Chamberlain, Maine, is home to the deeply religious and conservative Margaret White and her daughter, Carrie. Carrie is a sweet but meek outcast whom Margaret has sheltered from society. Gym teacher Miss Desjardin (Judy Greer) tries in vain to protect Carrie from local mean girls led by the popular and haughty Chris Hargenson (Portia Doubleday), but only Chris' best friend, Sue Snell (Gabriella Wilde), regrets their actions. In an effort to make amends, Sue asks her boyfriend, high school heartthrob Tommy Ross (newcomer Ansel Elgort), to take Carrie to prom. Pushed to the limit by her peers at the dance, Carrie unleashes telekinetic havoc. Brian De Palma's 1976 film version of Carrie earned Oscar nominations for stars Sissy Spacek and Piper Laurie.

Carrie comes to theaters October 18th, 2013 and stars Chloe Moretz, Julianne Moore, Judy Greer, Gabriella Wilde, Michelle Nolden, Portia Doubleday, Alex Russell, Samantha Weinstein. The film is directed by Kimberly Peirce.



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Short Film: ‘The New Meet the Parents’ Puts a Sweet Spin on an Old Ritual

New Meet the Parents Short Film

Why Watch? Clocking in at just under a minute and a half, this delightful punchline short from Lily Allyn Gordon jokes with the nerves of meeting your serious boyfriend’s mom, complete with a twist fitting for 2013.

A simple idea executed with some sweet, intentional goofiness, it’s a veritable one-woman show with Alexandra Kyle (yes, Roz from Justified) playing the butterfly-stomached Lucy. Although, due credit goes to sharp editing that gives it a silent comedy-style energy.

The ending is definitely satisfying, but the pep talk one-liners are gold.

What Will It Cost? A little over a minute.


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The Fugitive Director Andrew Davis Planning Treasure Island Remake

Sep 1, 2013 by Brian Gallagher

Director Andrew Davis plans Treasure Island remake Thieves Fortune Director Andrew Davis plans Treasure Island remake Thieves FortuneDirector Andrew Davis, who hasn't made a film since the 2006 drama The Guardian, revealed that he is planning a modern-day remake of the 1990 film Treasure Island, entitled Thieves Fortune. Here's what he had to say in a recent interview. "I'm currently putting together a modern version of Treasure Island set in post Katrina Louisiana called Thieves Fortune. It's the treasure of Jean LaFitte and I think it could be a really interesting, fun movie that could be about something and still be very entertaining."

The director is currently working on the screenplay with George Gallo and a number of other unidentified writers. The project doesn't have a studio home as of yet, but the director said they will start pitching it once the script is complete and a cast is attached.

Here's what the filmmaker had to say about making family-friendly movies after directing action movies such as Under Siege, Above the Law and Collateral Damage.

"I've turned down a lot of violent action movies which I don't want to do. I don't want to make a film where violence is the entertainment. I had a great time with Holes. I'm interested in doing family movies or four quadrant movies that are based upon quality literature or books."

Stay tuned for more details regarding the Treasure Island remake Thieves Fortune.

Treasure Island was released January 22nd, 1990 and stars Charlton Heston, Christian Bale, Oliver Reed, Christopher Lee, Richard Johnson, Julian Glover, Isla Blair, Clive Wood. The film is directed by Fraser Clarke Heston.


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The Morning Read: Marvel History, Movie Blindspots and the Spoils of Summer

Sorry, I could not read the content fromt this page.

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What It’s Like to See ‘One Direction: This Is Us’ As a Lonely Non-Fan

One Direction

Let’s not bury the lede here – attending Morgan Spurlock’s latest film, a Frankenstein’s monster of concert film and cliché-laden personal documentary about Britain’s insanely popular boy band One Direction, solo during its first night of showings is incredibly boring. Perhaps because the excitement among fans wasn’t palatable (most of them were surprisingly sedate, at least until a shirtless 1D-er ambled across the big screen, which happens in Spurlock’s film a lot) or because attendance was low or because it was a school night or even because I am so, so old these days (at least, that’s how I felt), but the experience of attending One Direction: This Is Us at 7PM on a Thursday night in an Upper East Side AMC theater was one of the most flaccid movie-going experiences of my entire life. There weren’t even special edition 3D glasses.

I arrive early. Afraid I’ll get a “bad” seat because of a swollen attendance, I walk up to the theater a full half an hour before showtime. It is far too early. Most likely expecting both a larger crowd and a more rowdy one, the theater provides a roped-off area for fans to line up before being admitted into the theater. No one is wearing any One Direction gear, there is only the occasional scream, and the only thing festive is one sad balloon, bobbing above its owner’s pig-tailed head. It’s star-shaped. (The balloon, not its owner’s head.) The teen girls behind me don’t chirp about the film to come, not one of them muses about what we might see, there are no arguments over who is the better-looking 1D lad – instead, they start talking about television shows. What do kids like these days? Or, more specifically, what do sixteen-year-old girls like these days? Turns out, they like what I like – Breaking Bad, Drunk History, Game of Thrones. One of them tears up as she talks about the Red Wedding, which seems like a bit of an overreaction, but I’ll allow it.

If you’re wondering why I was there (much like I was at this point, a full twenty minutes before the film is due to start), it wasn’t just in service to snark or as a misguided anthropological study. I’ve managed to miss the other big concert films that have come out in recent years – Justin Bieber, Miley Cyrus, Katy Perry, they’ve all slipped by without my attention – but One Direction: This Is Us was unavoidable (at least professionally speaking, I was assigned to review the film). Seeing it with a crowd of fans seemed like the best way to get the full experience. In some ways, I guess it was.

Seemingly admitting defeat (and the uselessness of the line), an AMC employee lets us in and directs us down into the bowels of the Third Ave. theater. There are only about twenty other people in Theater 7, and all of them have friends. The median age is 15. The theater has forgotten to provide 3D glasses, and the only excitement to kick up for about ten minutes is when an employee enters the theater with a box of them. The theater is so deep underground that I am without cell service, prohibiting me from tapping out sassy tweets about the situation. I rearrange my iPhone wallpaper and play Tapper instead. The median age rises with the entrance of a few beleaguered mothers, attendance tips into the twenty-something territory, and one lone tween boy finally changes the demographics (he appears to know everyone in the theater, making him a bit of a pre-show hit).

A charming youngster, one of the smallest in the theater, zooms up and down the aisles as her mother wearily tells her “you need to calm down.” Less than ten seconds later, the girl falls right on her face with a comedic “thump!” She gets right back up and resumes her running.

One girl finally appears wearing a One Direction tee shirt. It’s a cute design, and it makes me remember my own awkward tween years as a boy band fan when the best shirt I could wrangle at a concert was a hideous black and blue Backstreet Boys affair that I refused to wear out of the house. If there had been a Backstreet Boys 3D film back in those days (or even an NSYNC 3D concert film, let’s just be honest here), I would have lost my mind. I would have screamed bloody murder the entire time. The patrons of One Direction: This Is Us remain calm, tapping away on their smart phones (why do they get service down here?) and chatting in tones far too even to accompany a boy band-centric outing.

The smart phones. That’s the thing, really. Kids these days have an immediate accessibility to their idols – they can follow their Twitters and Tumblrs and Instagrams and feel instantly connected to them. They don’t have to wait for the latest issue of “Tiger Beat” to give them information about the favorite color of their favorite member, they can just hop on the ol’ Internet machine and get fresh gossip. For a minute, I am both envious of these modern fans and sad that they’ll never feel enough distance from their “heroes” to get over-the-top excited about an entire film dedicated to them.

I feel old again. My crotchety mindset serves us all well, however, after the minutes creep past the film’s starting time and I finally stop counting attendees (it maxes out around 40 in a theater that seats 286) and wonder just when the hell this show is going to get on the road. I make the trek back up to the lobby, where a bored employee radios someone else to ask when the movie will start. I huff. I puff.

I go back downstairs to watch the One Direction film. The film starts at 7:25 – well, the sound starts, the screen stays blank. This happens intermittently for about ten minutes. It’s maddening, but it also elicits a response from the snoozing crowd, who scream when the screen briefly flashes a glimpse at Louis Tomlinson (who, it must be noted, has the best hair in the entire film). Every time the sound stops, the fans yell “nooooooo!” Another AMC employee finally comes into the theater, passes off the problems as “technical difficulties” (no duh, sir) and then promises the film will start momentarily (with no trailers) and that we’ll all be compensated with vouchers for new tickets afterwards.

That’s when the crowd really gets cooking. They yell. They scream. They holler. They demand to know the employee’s name. So they can thank him. Suddenly, the entire theater is clamoring to say the loudest “thank you.” It proves to be a prodigious warm-up, because the film cues up before the stunned employee can even get out the door, and that’s when the screams directed at the screen finally start. It may not be a movie for me, but it’s a movie for them, and as bored as I still feel, I also remember what it’s like to be where they are now, and I appreciate the sentiment, finally.


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Poster and TV Spot of Don Jon starring Joseph Gordon-Levitt and Scarlett Johansson

We’ve got our hands on a new poster of Don Jon, Joseph Gordon-Levitt’s upcoming comedy movie:

(Click on the poster to enlarge.)

Plot:
“A New Jersey guy (Joseph Gordon-Levitt) dedicated to his family, friends, and church, develops unrealistic expectations from watching porn and works to find happiness and intimacy with his potential true love (Scarlett Johansson).”

Whoever is dating Scarlett in real life is a damn lucky bastard!

There’s also a new TV spot:


DON JON

Would you give up porn and onanism if you were dating Scarlett Johansson?

Release date: September 27, 2013.

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Legendary May Co-Finance Dracula and Jurassic Park IV with Universal

Aug 29, 2013 by Brian Gallagher

Legendary Pictures may co-finance Dracula and Jurassic Park IV Legendary Pictures may co-finance Dracula and Jurassic Park IVWhen Legendary Pictures left Warner Bros. and signed a five-year co-financing and distribution deal with Universal Pictures, many wondered which of Universal's projects Legendary would join. Today, we have word that Legendary's Thomas Tull is considering co-financing the horror remake Dracula under the new arrangement.

Shooting is already under way in Belgrade, Serbia, with Luke Evans starring as the Transylvanian prince and vampire who tries to save his wife and son from a Turkish mob. The story, written by Burk Sharpless and Matt Sazama, combines elements from Bram Stoker's original novel, and the true story of Vlad the Impaler, the author's inspiration for this iconic bloodsucking character. Sarah Gadon, Dominic Cooper, Samantha Barks and Art Parkinson star in this remake, which marks the directorial debut of visual effects artist Gary Shore.

Thomas Tull is also considering coming aboard Jurassic Park IV, which is scheduled to begin production next year under Colin Trevorrow's direction. No cast members have been hired yet, but the screenplay was co-written by Colin Trevorrow and Derek Connolly. Reps for both Legendary and Universal declined to comment.

According to insiders, Legendary is reportedly committed to invest an average of $275 million in Universal projects per year for the first two years, and an average of $350 million a year for the last three years of the deal. On the other hand, Universal is committed to invest $175 million in select Legendary projects. Sources also indicate that Universal's Fast & Furious franchise and animation projects under Illumination Entertainment are excluded from the arrangement.

Legendary is currently examining Universal's entire upcoming slate, which includes movies that might be in Legendary's wheelhouse such as the Untitled Mummy Reboot and the Van Helsing remake. We reported earlier this month that Legendary is bringing Seventh Son to Universal for a 2014 relase. The production company still has forthcoming movies such as Godzilla, 300: Rise of an Empire and Crimson Peak set up at Warner Bros.

Dracula comes to theaters October 3rd, 2014 and stars Luke Evans, Sarah Gadon, Dominic Cooper, Samantha Barks, Art Parkinson.

Jurassic Park IV is in development . The film is directed by Colin Trevorrow.


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‘The Human Experiment’ Trailer: Are You Getting Enough Chemicals in Your Diet?

experiment

What’s the reason humanity has become so plagued with diseases and mental disorders that historically have not existed over the course of the last fifty years or so? A new documentary from producer Sean Penn and directors Dana Nachman and Don Hardy called The Human Experiment theorizes that it’s all of the chemicals that have been introduced into our food and our environment by greedy corporations and ever expanding industry.

Okay, so this documentary doesn’t so much theorize this as it fervently believes it and aggressively calls its viewer to take action against the corporations who are operating with little or no regulations and certainly without any sense of morality or restraint. This is probably the movie most concerned with chemicals since The Bourne Legacy. Take a look at the trailer, provided by THR, and decide if this is an issue you can get behind.

The Human Experiment will debut to audiences at the Mill Valley Film Festival this October and then make its rounds to more festival showings throughout the fall.

Seeing as Penn is said to be narrating as well as producing the film, you’ve got to think that it’s a project that’s going to get at least some kind of distribution deal at some point, so likely we’ll all get a chance to sit down and watch the whole thing eventually. And then we’ll have a better idea of what we have to do to avoid pesky stuff like diethyl phthalate.


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Alexander and the Terrible, Horrible, No Good, Very Bad Day Begins Shooting in Los Angeles

Aug 29, 2013 by Brian Gallagher

Megan Mullally joins the cast of Alexander and the Terrible, Horrible, No Good, Very Bad Day, currently shooting in L.A. Megan Mullally joins the cast of Alexander and the Terrible, Horrible, No Good, Very Bad Day, currently shooting in L.A.Disney has kicked off production on Alexander and the Terrible, Horrible, No Good, Very Bad Day, the first live-action film adaptation of Judith Viorst's 1972 illustrated children's classic. The film, directed by Independent Spirit Award-winner Miguel Arteta (The Good Girl, Cedar Rapids, Youth in Revolt) from a screenplay by Rob Lieber, is a 21 Laps Entertainment/Jim Henson Company production. Shooting in the Los Angeles area, with locations in the cities of Pasadena and Arcadia, the San Fernando Valley and Melody Ranch in Newhall, the film hits theaters nationwide on October 10, 2014.

Steve Carell (The Way, Way Back, Little Miss Sunshine, the forthcoming Foxcatcher) and Jennifer Garner (Dallas Buyers Club, The Odd Life of Timothy Green, Juno) star as Alexander's upbeat parents. The veteran performers are joined in the film by a trio of young talents that includes 16-year-old Dylan Minnette (Lost, the upcoming Prisoners) as Alexander's older brother, Anthony; 15-year-old Kerris Dorsey (TV's Ray Donovan, Moneyball) as sister Emily; and 12-year-old Australian native Ed Oxenbould (Oz TV's Puberty Blues), who makes his big-screen feature debut as the film's title character, Alexander.

Emmy winner (and Golden Globe nominee) Megan Mullally (Will & Grace) also joins the cast, along with Jennifer Coolidge (American Pie, Legally Blonde, TV's 2 Broke Girls) and Bella Thorne (Shake It Up).

The film is produced by Shawn Levy (Night at the Museum, Date Night, Real Steel), Emmy nominee and CEO of the Jim Henson Company Lisa Henson, and 21 Laps Entertainment President Dan Levine (The Internship, Along Came Polly, Freedom Writers). It's executive produced by industry veteran Philip Steuer (Saving Mr. Banks, Oz: The Great and Powerful, The Chronicles of Narnia trilogy) and Jason Lust (Whip It!, The Waiting Game).

Disney's Alexander and the Terrible, Horrible, No Good, Very Bad Day follows the exploits of 11-year-old Alexander as he experiences the most terrible and horrible day of his young life-a day that begins with gum stuck in his hair, followed by one calamity after another. But when Alexander tells his upbeat family about the misadventures of his disastrous day, he finds little sympathy and begins to wonder if bad things only happen to him. He soon learns that he's not alone when his brother, sister, mom and dad all find themselves living through their own terrible, horrible, no good, very bad day. Anyone who says there is no such thing as a bad day just hasn't had one.

Director Arteta's key filmmaking team includes cinematographer Terry Stacey (50/50, Salmon Fishing in the Yemen), two-time Oscar-nominated production designer Michael Corenblith (The Blind Side, Saving Mr. Banks, HBO's Game Change), and two artists with whom he has previously collaborated: Oscar-nominated film editor Pam Martin (The Fighter, Little Miss Sunshine, Youth in Revolt) and veteran costume designer Nancy Steiner (Little Miss Sunshine, Lost In Translation, The Good Girl, Youth in Revolt).

Alexander and the Terrible, Horrible, No Good, Very Bad Day, published in 1972, was written by Judith Viorst and illustrated by Ray Cruz. The endearing, enduring classic (with more than 2 million copies in print) became an ALA Notable Children's Book while also winning a George G. Stone Center Recognition of Merit, a Georgia Children's Book Award, and distinction as a Reading Rainbow book. Viorst followed this book (inspired by her own three sons' childhoods-Alexander, Anthony and Nicholas) with two sequels: "Alexander, Who Used to be Rich Last Sunday" (1978) and "Alexander, Who's Not (Do You Hear Me? I Mean It!) Going to Move" (1995). The 1972 original was first adapted to the small screen as a half-hour HBO animated musical in 1990 before Viorst collaborated with composers Pno_person|Charles Strouse} (music) and Shelley Markham (musical score) for a 1998 stage musical at the Kennedy Center in Washington, D.C.

Alexander and the Terrible, Horrible, No Good, Very Bad Day comes to theaters October 14th, 2014 and stars Steve Carell, Jennifer Garner, Dylan Minnette, Kerris Dorsey, Ed Oxenbould, Megan Mullally, Jennifer Coolidge, Bella Thorne. The film is directed by Miguel Arteta.


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“Proxy” Trailer — Dark Psychological Horror from Indie Filmmaker Zack Parker, starring Alexia Rasmussen

source:   proxythemovie.com, hollywoodreporter.com

added: Wed, Aug 28th '13

Want to feel queasy and totally creeped out at the same time? Well, here you go! Check out the disturbing trailer for Zack Parker's "PROXY," an intense psychological horror drama about a young troubled woman (Alexia Rasmussen) who descends into a mad, mad world of soul-crushing despair after a psychotic mugger brutally attacks her, resulting in the loss of her unborn child.

The indie film, also starring Alexa Havins, Kristina Klebe, and Joe Swanberg, will be making its world premiere in a couple of weeks at next month's Toronto International Film Festival.

synopsis:
A very pregnant Esther Woodhouse (Alexia Rasmussen) is walking home after her latest OB appointment, when she is brutally attacked and disfigured by a hooded assailant. When Esther seeks consolation in a support group, she finds friendship and empathy in Melanie (Alexa Havins), another mother scarred with tragedy. Esther soon begins to believe that the horrific event might be a bittersweet act of fate. However, friendship and empathy can be very dangerous things when accepted by the wrong people.

directed by   Zack Parker

starring   Alexia Rasmussen, Alexa Havins, Kristina Klebe, Joe Swanberg

release date   TIFF 2013


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Delivery Man

Voting begins after release

Release Date USA: November 22, 2013
Release Date: October 4, 2013

Genre:  Comedy movies (155)
Country:  USA Movies (418)
Runtime: 103 min
Director: Ken Scott
Screenplay: Ken Scott
Cast: Cobie Smulders, Vince Vaughn, Britt Robertson, Chris Pratt, Ben Bailey

Fan page


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2 Banner Posters of Catching Fire

I just spotted those two new banner posters of The Hunger Games 2 Catching Fire:

The Hunger Games 2 Movie Trailer

(Click on a poster to enlarge.)

Plot:
“Katniss Everdeen (Jennifer Lawrence) and Peeta Mellark (Josh Hutcherson) become targets of the Capitol after their victory in the 74th Hunger Games sparks a rebellion in the Districts of Panem.”

Is the sky catching fire on those posters? Or is it the blood of the victims of the Capitol?

In theaters: November 22, 2013.

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“Divergent” Featurette (Factions) — Behind the Scenes of New Sci-Fi Thriller, starring Shailene Woodley and Kate Winslet

Following the success of the first-look teaser trailer for the highly-anticipated sci-fi thriller "Divergent," now comes a just-released behind-the-scenes featurette that does its best to explain the dystopian plot behind Veronica Roth's popular YA book series. This first featurette spotlights the five factions in which each person of age must devote their adult lives to serving their chosen group in the distraught world of a futuristic Chicago. Among the many youths is a 16-year-old girl named Beatrice 'Tris' Prior (Shailene Woodley) who finds out that she is a "divergent": a person who can choose his/her own fate between any of the five factions.

"Divergent" is directed by Neil Burger (Limitless) and co-stars Oscar-winner Kate Winslet, Theo James, Jai Courtney, Maggie Q, and Ashley Judd. The film is currently set to open wide on March 21st.

synopsis:
Set in a futuristic dystopia where society is divided into five factions that each represent a different virtue, teenagers have to decide if they want to stay in their faction or switch to another - for the rest of their lives. Tris Prior makes a choice that surprises everyone. Then Tris and her fellow faction-members have to live through a highly competitive initiation process to live out the choice they have made. They must undergo extreme physical and intense psychological tests, that transform them all. But Tris has a secret that she is Divergent, which means she doesn't fit into any one group. If anyone knew, it would mean a certain death. As she discovers a growing conflict that threatens to unravel her seemingly perfect society, this secret might help her save the people she loves ... or it might destroy her.

directed by   Neil Burger

starring   Shailene Woodley, Kate Winslet, Theo James, Miles Teller, Maggie Q, Jai Courtney, Zoe Kravitz, Ray Stevenson, Ashley Judd

release date   March 21, 2014


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Blackfish


Release Date USA: July 19, 2013
Release Date: January 19, 2013

Genre:  Documentary movies (45) MPAA Rating: PG-13 - Parents Strongly Cautioned

Country:  USA Movies (418)
Runtime: 83 min
Director: Gabriela Cowperthwaite
Music: Jeff Beal
Screenplay: Gabriela Cowperthwaite, Eli B. Despres
Cast:


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10 Movies to Watch After You’ve Seen (Or Instead Of Seeing) ‘One Direction: This Is Us’

dujour

I understand that not a lot of FSR readers are even marginal One Direction fans, let alone “directioners,” so bear with me this week as I offer this list to any who find their way here. Also, if you’re not into 1D and don’t plan to see their new documentary One Direction: This Is Us — even if you normally like Morgan Spurlock‘s films or are a Martin Scorsese completist (he has a cameo) or think it could be a good place to pick up chicks (and not just tweens, as my screening had a number of adult women fans in attendance) — you may discover something of actual value among the selection of films below.

The easiest and even most logical way to go with this week’s hottest new movie is to just offer a basic list of the best concert films and tour docs of the past. But really there’s not much there to connect Gimme Shelter (nobody dies at any of the 1D shows) or Woodstock, even though the latter involved Scorsese. There are mostly music movies picked for this list, but they’re specifically relevant and they’re joined by other kinds of films.

Let’s actually begin with a concert film directed by Scorsese, who also appears on screen here as well. The Last Waltz is a good film to contrast with This Is Us, because it’s a look at a band on their way out. It’s the farewell concert for The Band, whereas the new movie focuses on the newness of One Direction and features a lot of their first shows in some countries. The Last Waltz is also, I find, representational of a level of production we hadn’t really seen in concert films before, making it a sort of ancestor to the big 3D concert films on pop stars we’ve been seeing over the past decade. The Band wasn’t exactly the hot boy band of their time, and they are actually talented songwriters and musicians as opposed to just poppy singers, but this film did have its share of family friendly image protection. Maybe in years to come we’ll also hear about cocaine being digitally removed from one of the 1D guys’ nostrils, as we did with Neil Young here.

Available on Vudu

In This Is Us, the five boy band boys enjoy dressing up in prosthetics and costumes to fool fans and regular folk on the street. One of the best is a roadie who goes around chatting with concertgoers about why One Direction sucks. Others are primarily elderly characters where the joke is that they can run really fast and dance after pretending to need help. It’s very reminiscent of stuff from the Jackass show and movies, mainly Johnny Knoxville’s grandpa character, who is now actually getting his own full feature. I prefer Jackass Number Two, but below is a clip of Knoxville as Irvin Zissman from the first movie.

Available on Amazon Instant

Of all the recent 3D concert films on pop stars we’ve been subjected to, Never Say Never is the one that is worth seeing even if you hate the subject’s music (just as I need to see The Last Waltz even though I don’t like The Band much). Like One Direction, Justin Bieber has an interesting origin that’s of our time. They’re the product of a singing competition show, comprised of thrown together individual contestants of the UK’s X Factor, while he was a discovery via YouTube. The super fans for each act are also a noteworthy aspect of these two films due to how they’ve helped to mold the boys into stars even more than the industry has. But This Is Us doesn’t focus enough on the cultural significance of One Direction and their story while Never Say Never is a fascinating look at the modern music business and what Bieber has meant to it.

Available on Amazon Instant

I often jokingly call Never Say Never a remake of this 1962 documentary on Paul Anka. Made by Canadian direct cinema pioneers Wolf Koenig and Roman Kroitor (who later went on to co-found IMAX and provide George Lucas with the inspiration for “the Force”), Lonely Boy has been a huge influence on music docs of the past 50 years, especially early classics like Don’t Look Back. It was probably if not the first than perhaps the most successful to combine live performance and backstage material and fan on the street interviews the way we see it in films like This Is Us. Also, way before the One Direction boys were candidly talking to the camera in only their underwear, Anka could be seen in his whitey tighties in Lonely Boy. I assume the scene was met with screams from fans in the theaters then just as the newer similar scenes are today.

Watch the full film, one of my all time favorites, below via the National Film Board.

Two years after Lonely Boy came this early look at the Fab Four via direct cinema legends Albert and David Maysles. One Direction has too often been compared to The Beatles, but there is the jokester quality shared by the two groups, a parallel that you’ll notice by watching their films. Actually, Liam, Harry, Niall, Louis and Zayne have nothing on the shenanigans of John, Paul, George and Ringo. However, I do think the One Direction boys are charming and funny and could do well with some goofy non-documentary films, a la Help!, especially if they take on multiple characters. While it is possible to see the original 1964 cut of What’s Happening! here or there, your easiest bet is to check out the 1991 re-edit the Maysles brothers did with Susan Fromke and Kathy Dougherty, re-titled The Beatles: The First U.S. Visit.

Maybe, just maybe one or more of the guys in One Direction will have a lasting career in music. And we will all look back on This Is Us for the very beginning. That’s one of the things that’s nice and necessary about What’s Happening!, and it’s the main reason anyone should still be interested in this comedy concert film that features early stand-up performances by Tim Allen, Jackie Martling, Bill Hicks and Chris Rock, along with some who didn’t become famous. I’m highlighting it on this list because of Rock, who cameos in This Is Us backstage around the same time as Scorsese. This is from 1988, a few years into his comedy career and a few away from his breakout on Saturday Night Live. Maybe you don’t need to watch the whole thing, actually, but here’s Rock’s bit:

Probably the most overrated underrated movie (or underrated overrated?) of all time, this comic book/cartoon adaptation is nevertheless a softball yet enjoyable parody of the recording industry around the turn of the century. Not too much has changed, and that includes the continued introductions of du jour boy bands that come and go more quickly with each act. The funniest stuff in Josie and the Pussycats is probably the boy band parody, aptly named Du Jour, featuring Seth Green, Breckin Meyer, Alex Martin and Donald Faison. Almost as funny was the assumed One Direction parody in Kick-Ass 2, which turned out to be a real boy band.

Available on Amazon Instant

Another terrific look at the modern music biz — or at least nearly modern since it’s really a story that could have only happened about a decade ago, before social media blew up. Jeanie Finlay’s new documentary, which screened at SXSW earlier this year, chronicles the adventures of a hip hop duo from Scotland called Silibil n’ Brains, who couldn’t get a deal so they pretended to be American and quickly got signed by Sony. It’s kinda funny given how many great acts do come from the UK, including tons who are hot over there but can’t break out here in the States (One Direction being a rarity). As with This Is Us and other pop music docs of that ilk, there is a lot to consider here regarding the importance of image and credibility. It basically does for the record industry what Exit Through the Gift Shop does for the art world. So far the film has no U.S. distributor, but maybe you can import a DVD when it’s released across the pond?

While not the highest quality of documentaries, this is a fair introduction to The Undertones, who any fan of One Direction or anyone else ought to know. Especially the former, though, because the boy band covers the ’70s Brit-punk group’s song “Teenage Kicks” as a medley with Blondie’s “One Way Or Another.” One hopeful thing about One Direction is that they could be a gateway to better music for their fans, just as the documentary could be a gateway to better music films (i.e. those on this list). I remember first hearing the Spice Girls cover “I’m the Leader of the Gang (I Am)” in Spice World and that led to my becoming a Gary Glitter fan. Maybe through this movie, kids will get into Wheatus and even the movie Loser, which first featured their song “Teenage Dirtbag.” Better, though, will be their getting into Blondie and The Undertones.

Watch the whole movie below via YouTube.

Spurlock shows us a lot of fans in This Is Us, but he shows a greater understanding of fandom in his 2011 documentary on the San Diego Comic-Con International, which has a lot more to do with the attendees than the event itself. I wanted more of that in This Is Us, especially because of what we’re told about the super fans’ significance in One Direction’s rapid success and popularity. There’s not a whole lot different between the obsessed devotees to Comic-Con and the obsessed devotees to a boy band, and not just because the former has been filled with Twi-hards and other YA lovers in recent years. And both things are really just marketing expos to get fans to buy merch and be pumped with fuel for further fan loyalty.

Available on Amazon Streaming


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“Captain Phillips” International Trailer — Paul Greengrass’ Fact-Based Thriller starring Tom Hanks

source:   captainphillips.jp, youtube.com

added: Sun, Aug 25th '13

Although he's not calling Houston, Tom Hanks definitely has a problem -- a really nerve-racking, machine-gun-in-your-face problem. In the brand-new Japanese trailer for "Captain Phillips," Hanks is back playing a real-life captain stuck in a terrifying predicament. Only this time around, he's not floating in space, but at sea -- and it appears that no one can hear you scream in either locations.

Directed by Paul Greengrass (United 93, Bourne's Supremacy and Ultimatum), the fact-based drama sees Hanks portraying Captain Richard Phillips, an American cargo-ship skipper who was taken hostage, along with his crew, during a 2009 hijacking incident involving heavily-armed Somali pirates. The harrowing ordeal lasted for five days and ended with a military operation conducted by an elite Navy SEALS team. The film, which opens in theaters October 11th, is based on Phillips' own book, "A Captain's Duty: Somali Pirates, Navy SEALS, and Dangerous Days at Sea." Check out the trailer, above.

synopsis:
Captain Phillips is director Paul Greengrass's multi-layered examination of the 2009 hijacking of the U.S. container ship Maersk Alabama by a crew of Somali pirates. It is -- through Greengrass's distinctive lens -- simultaneously a pulse-pounding thriller and a complex portrait of the myriad effects of globalization. The film focuses on the relationship between the Alabama's commanding officer, Captain Richard Phillips (two time Academy Award(r) winner Tom Hanks), and his Somali counterpart, Muse (Barkhad Abdi). Set on an incontrovertible collision course off the coast of Somalia, both men will find themselves paying the human toll for economic forces outside of their control.

directed by   Paul Greengrass

starring   Tom Hanks, Catherine Keener, Max Martini, Corey Johnson, Chris Mulkey, David Warshofsky, Yul Vazquez

release date   October 11, 2013


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“Ass Backwards” Trailer — Indie Comedy starring June Diane Raphael and Casey Wilson

The last time sketch comediennes June Diane Raphael and Casey Wilson got together to write a screenplay it was 2009's universally-panned wedding romp "Bride Wars." So, on a plus side, the bar isn't set that high for their newest comedy "Ass Backwards," in which they also star, playing two lifelong friends who foolishly agree to return home so they can re-enter their childhood beauty contest for a second shot at glory.

Directed by Chris Nelson, the part road, part pageant farce didn't do so well when it premiered earlier in the year at Sundance. Nevertheless, both Raphael and Wilson have proven to be very funny performers on their TV shows: Adult Swim's NTSF:SD:SUV and ABC short-lived series' Happy Endings, respectively.

The film also stars Paul Scheer (Raphael's real-life husband), Jon Cryer, Brian Geraghty, Bob Odenkirk and Alicia Silverstone and will be available on iTunes on September 30th before hitting theaters on November 8th. Check out the trailer, above.

synopsis:
Kate (June Diane Raphael) and Chloe (Casey Wilson) are two childhood best friends who met when they placed dead last in their hometown beauty pageant. Now they are all grown up and living in New York City, where Chloe works as a “girl in a box” at a nightclub and Kate is a CEO….of her own one-woman egg donor “corporation”. Lost in delusion, they believe they are living large until an invitation to their hometown pageant arrives and their past comes back to haunt them. Join these two loveable losers as they take an ass backwards journey home to reclaim their crown, stopping off at a women’s separatist commune, an amateur strip club competition, and meeting their favorite reality TV star along the way.

directed by   Chris Nelson

starring   Casey Wilson, June Diane Raphael, Alicia Silverstone, Jon Cryer, Vincent D'Onofrio, Brian Geraghty, Bob Odenkirk, Paul Scheer, Sandy Martin

release date   September 30, 2013 (iTunes), November 8, 2013 (In Theaters)


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Early ’12 Years a Slave’ Reax: Best Picture Material

12 Years a Slave

It feels a bit like the broader movie world is about to learn who Steve McQueen is. After they have the same chuckle over his name most hardcore prestige fans had several years ago, they’ll marvel at his abilities as a dramatic filmmaker. With 12 Years a Slave, he’s partnered once again with Michael Fassbender, dragging the actor through an arduous role to come out clean on the other side. He’s also got Chiwetel Ejiofor bringing staunch prowess to the lead role of a free Northerner named Solomon Northrup who is captured and sold into slavery.

In the early reviews from Telluride, critics are standing outside Ejiofor’s house with a sign that says, “To me you are perfect.”

Greatly encouraging in the same vein as the early Gravity responses from Venice, this film looks poised to punch awards season in the gut and plant an accomplished yet still budding auteur into more mainstream ground. Here’s what people are saying:

William Goss, Film.com

“Slave might be the most grimly accurate depiction of American slavery committed to film, which in turn threatens to render monotonous countless inhumane offenses as the story stretches into its third hour. It’s not that McQueen and writer John Ridley (working from Northup’s own memoir) could help it, assuming they even wanted to. The subject matter doesn’t exactly invite comic relief, while cutting away to Solomon’s surely concerned family up north would have rung false and detracted from such an aptly oppressive experience.

McQueen nonetheless manages to reinvigorate these cruelties on each occasion, whether cutting between the sounds of music and the sights of agony during scenes of mandatory celebration or forced separation, or subtly incorporating his trademark long take during an extended whipping scene as the potential for maximum emotional and physical anguish aligns with a harsh sense of inevitability. For the most part, these high emotions are matched well by Hans Zimmer’s score, although the odd flair of “Inception”-like bombast deflates one particularly tense encounter early on.”

Kris Tapley, HitFix

Eric Kohn, IndieWire

“More than a powerful elegy, 12 Years a Slave is a mesmerizing triumph of art and polemics: McQueen turns a topic rendered distant by history into an experience that, short of living through the terrible era it depicts, makes you feel as if you’ve been there.”

Anne Thompson, Thompson on Hollywood

Chris Willman, The Playlist

“A parade of character actors famous for playing sleazeballs get to mistreat Solomon, starting with Paul Giamatti, and including Paul Dano as an imbecile sub-“master” who can’t stand the thought that there might be an educated slave in the midst. Transfers in ownership ensure that Solomon’s lot goes from bad to worse to worst, as he finally ends up in the hands of notorious “slave-breaker” Edwin Epps (Fassbender). Epps isn’t even the most villainous of the many detestable white people in the movie: that would be his jealous and bloodthirsty wife, played by Sarah Paulson, who makes Lady MacBeth look like Olive Oyl.”

Eugene Kovikov, Film Blather

“12 Years a Slave is a more conventional effort than Hunger or Shame, but it’s every bit as searing and tough-minded, and hardly less challenging. McQueen has edged toward the mainstream without surrendering what made him interesting, which is great to see.”

Peter Debruge, Variety

“When it comes time to bestow awards, voters tend to prefer characters who suffer to those who abuse, and yet, this actorly transformation may be Fassbender’s most courageous yet, tapping into a place of righteous superiority that reminds just how scary such racism can be. In many respects, 12 Years a Slave works like a horror movie, beginning with a Saw-style abduction and proceeding through subsequent circles of hell, the tension amplified by a score that blends chain-gang clanging with those same foghorn blasts Hans Zimmer used in Inception. As captured by cinematographer Sean Bobbitt, however, a rare beauty suffuses even the most infernal situations.

This radiant aesthetic, coupled with the rousing use of spiritual songs, provide a beacon of optimism amidst so much hate, once again proving cinema’s place as the ultimate human-rights medium. It’s a shame that such injustice was allowed to exist for so long — 12 years for Northrup and nearly 250 for those less fortunate — and an even bigger disgrace that it takes a British director to stare the issue in its face.”

Tom Shone, The Guardian

dashes

12 Years a Slave hits theaters October 18th.


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Was 2013 a Better Summer at the Movies Than 2003?

Aug 31, 2013 by B. Alan Orange

It's finally Labor Day Weekend, which means the summer movie going season is officially closed for business starting this Monday. As summer winds down, and we head into September, many movie fans have made one thing very clear. They think this summer has been a complete wash! But is this summer any different than last summer, or the summer before that? How about a decade removed? Did we have bombs as big as The Lone Ranger, R.I.P.D. and After Earth ten years ago? (Yeah, we did, and it was called Gigli.)

We've decided to take a look at how this summer stacks up to a bygone era. Was 2003 a better year for movies? Or did we actually have it pretty good here in 2013 with Iron Man 3, Man of Steel and Elysium (just to name a few of the better one that have played out over the past three months)? Both summers sure did have a lot in common. In both 2003 and 2013 we saw plenty of CGI animated family films, as well as movies starring an Avenger, The Wolverine, Brian O'Conner, Roman Pearce, and Tej. Maybe nothing has changed!

Let's take a look at who wins the big brawl in: 2003 Vs. 2013!


Iron Man 3
First and Second Week of May: Summer 2013 started off with a bang as Robert Downey Jr. returned to reprise the role of Tony Stark for a fourth time in what is one of the best fan-reviewed movies of the summer. It opened at #1 with $174 million, going on to make $408 million to date. It earned 78% on the Tomatometer, rendering it fresh. Ten years earlier, Bryan Singer's X2: X-Men United was equally praised for breaking the comic book mold. It was the second time Hugh Jackman would play the Wolverine, with the movie opening at #1 with $85.5 million. It went onto make $214.9 million, and earned a Tomato ranking of 87%, gaining the edge over Iron Man 3 with critics. Both movies would go onto be #1 in their second weekend as well. The only other notable 2013 movie released in this window was The Great Gatsby, while 2003 gave us The Lizzie McGuire Movie and Daddy Day Care. The winner: 2013!
Star Trek Into Darkness
Third Week of May: Here, we have two sequels going head-to-head, which proves summer movies haven't changed a bit in ten years. Star Trek Into Darkness opened at number #1 with $70.1 million. It would go onto make $227.2 million over its summer run (and counting). It however didn't fare so well with some critics, who complained that it was scientifically defiant. Fans also didn't like the mystery surrounding its villain, but that didn't stop it from racking up an 87% on the Tomatometer. The Matrix Reloaded actually earned quite a bit more on its opening weekend, taking in $91.7 million, going onto earn $281. 5 million during its run in theaters. It also faced harsh criticism from fans and critics alike, but stayed strong with 73% on the Tomatometer, certifying it fresh. This is a tough race to call. No other notable movies opened this weekend in 2013, nor did they in 2003. Thing is, while both movies proved to be pretty stupid logic wise, The Matrix Reloaded had huge chunks of really boring exposition. Star Trek Into Darkness had a lot of things wrong with it, but one thing it never was, was boring! And that's what we want in a summer movie. F*ck logic! The winner by a close margin: 2013. (We're sorry, Keanu! We still love you...)
Fast & Furious 6
Fourth Week of May: Both 2003 and 2013 gave us The Fast and the Furious sequels. Too bad their release weeks are a few days removed from each other. Fast & Furious 6 would win the contest, as this is one franchise that just keeps getting better and better with each new installment. The latest entry didn't disappoint, bringing back pretty much everyone that was ever in the cast. It opened #1 with $117 million, taking in $238.4 so far this summer. It has the lowest Tomatometer rating so far in this contest, with 69%, but that's still enough to certify it fresh. Jim Carrey was able to open his comedy Bruce Almighty during the same window at #1, raking in $85.7 million, with a total of $242 million during its run. It has a Tomatometer rating of 48%, which makes it the first rotten movie to be found in this competition. While critics didn't like it, it proved to be a big hit with fans, spawning a sequel of its own. Still, it's no Fast & Furious 6 . Other notable movies opening on this weekend in 2013 include The Hangover Part III, one of the worst comedy sequels ever made, and Epic, a quickly forgotten animated adventure neither kids nor parents seemed able to stomach. The only other notable release in 2003 was the all-but-forgotten remake The In-Laws. Without a doubt, even with the Wolf Pack's stench lingering about...The winner is: 2013!
Finding Nemo
First Week of June: So, Fast & Furious 6 was #1 in its second weekend, pulling in just $35 million. Pixar, on the other hand, was hitting its stride in 2003, releasing the beloved animated classic Finding Nemo to the tune of $70.2 million. It would go onto make $339.7 million during its theatrical run, and earned an impressive 99% on the Tomatometer, rendering it nearly untouchable. This week in 2013 saw one of the summer's biggest bombs unleashed with the M. Night Shyamalan directed, Will Smith starring After Earth. Now You See Me debuted too, but it proved to be too little, too late. Especially considering this weekend in 2003 gave us the fan favorite The Italian Job and the franchise launching horror hit Wrong Turn. The winner by a clear mile: 2003!
2 Fast
Second Week of June: Here we are, back at The Fast and the Furious franchise again. While 2 Fast 2 Furious isn't the best installment in this lucrative series, most people would argue its better than The Purge. But let's not get ahead of ourselves. This 2013 thriller does have an original premise, and it was fun (kinda, if you were drunk and really bored). Plus, it made back its tiny budget by nearly triple, making it a notable anomaly in the summer market place. Made for only $3 million, it pulled in a whopping $34 million opening weekend. Not big numbers for June, until you consider its pedigree. So far, it's only gone onto make $64 million. But you do the math. Is there any question why it's getting a sequel? Hopefully it will be a little better executed. We all like an underdog story, but the film only earned 38% on the Tomatometer, certifying it pretty rotten. Not the worst, but bad. 2 Fast 2 Furious earned $50.4 million opening at #1, less than half of what Fast & Furious 6 brought in on its opening weekend. It went onto take in $127 million during its theatrical run, but it did gangbusters on the home video market. It currently has 36% on the Tomatometer, rendering it a tad more rotten than The Purge. Though, it should be noted that its not the lowest rated film in the franchise. That distinction goes to 2009's fourth chapter Fast & Furious, with only 27%. Ouch (And weird, as this fourth installment is what rejuvenated the franchise). Other notable movies released on this weekend in 2013 include the stink bomb The Internship and Joss Whedon's hardly seen Much Ado About Nothing. 2003's only other notable release was the beloved family film Whale Rider, which launched the career of Keisha Castle-Hughes. This is a tough one to call, but we have to give it to...The winner yet again: 2003! 2013 better do something quick!
Man of Steel
Third Week of June: Okay, so Finding Nemo flip-flopped and floundered its way back to the top of the charts in 2003 after sitting out its second weekend somewhere else in the top ten. People just couldn't get enough of this Pixar family adventure. But Nemo in its third week of release is no match for the debut of a new Superman movie with Man of Steel! And it was a damn good Superman movie, too! It wasn't, however, the box office record breaking champ some wanted it to be. It tried, though, bringing in a respectable $116 million on opening weekend. It went onto pull in over $290 million over the course of the summer. Critics weren't as excited about the movie as audiences, with this DC Comics adventure grabbing a 56% on the Tomatometer, rendering it, gasp, dare we say rotten? That's no good. Finding Nemo managed to pull in just $28.3 million during its third week on the charts, which is a pretty low number square in the middle of summer. Though, it opened against three noticeably forgotten movies, including Rugrats Go Wild!, Hollywood Homicide and the awful prequel Dumb and Dumberer: When Harry Met Lloyd. 2013 not only gave us Man of Steel on this weekend, it also gave us the best comedy of the season with This Is the End...Clearly marking 2013 as the big winner.
MU
Fourth Week of June: Yes, the Avengers initiative has been in play since 2003. And director Ang Lee's Hulk might be considered the worst installment in this franchise. Like Rob Zombie's Halloween II, Hulk isn't a bad movie. It's a misunderstood movie, and like a balding idiot savant, folks are unsure how to approach it. For god sake, it has mutant poodles running through a good chunk of its storyline. What is that? We have to remember it was 2003, and Marvel Studios was just starting to come into its own, taking baby steps to world cinema domination, which it's clearly achieved here, ten years later. We can't really fault it for what it is, and it takes a unique approach to the comic book genre, one that hasn't been attempted since. That said, its no match for Pixar, even when we're dealing with one of their half-baked sequels. Hulk opened with $62 million, going onto make a respectable $132 million, so no one considers it an outright bomb. On the ol' Tomatometer, it ranks higher than Man of Steel with 62%, which makes it fresh. Monsters University pulled in $82 million on its opening weekend, taking in $262. It was actually kind of edgy for a Pixar movie, which may have turned some families off. It didn't quite reach the heights of past Pixar outings, but for a sequel, its enjoyable enough. It ranked high with audiences and critics alike, pulling in 78% on the Tomatometer. This weekend in 2003 gave us one of the greatest bombs of the 00s with From Justin to Kelly. 2013 gave us World War Z and the horror remake Maniac. The winner: 2013!
Charlie's Angeles Full Throttle
Fifth Week of June: Hold up, hold up! I already know what you're going to say, but please go back and re-watch Charlie's Angels: Full Throttle. It is pure, adrenalized summer schlock! And it's a glorious glow to bathe in. Its three stars have never looked better, or sexier, and if you want to turn your mind off and just guzzle a bucket of popcorn sprinkled butter, this is the best thing to do it too. Some called it the death of cinema, but it's a non-stop blast of pure funcore from the word go. So we're not going to be too hard on it. Cleary Monsters University is the better movie. It managed to collect another healthy $45 million in its second weekend. Charlie's Angels: Full Throttle actually earned less than that on its opening weekend, taking in a mere $37 million for a summer total of $100 million. Critics thought it was downright rotten with 44% on the Tomatometer. To call a winner here, we have to look at what else was released in this time frame. In 2003, we also got the horror classic 28 Days Later. 2013, on the other hand, gave us the very funny comedy The Heat, the action-packed White House Down, which will find a loving audience on the home circuit, and one of the coolest documentaries of the year with A Band Called Death. Clearly the winner without biased: 2013!
Terminator 3
First Week of July: Ugh. It went from one animated family adventure being number one at the box office two weeks in a row to another animated family adventure being number one at the box office two weeks in a row. It's enough to make you sick. But someone out there loves it. CGI animated movies are bigger business now then they were ten years ago, which means we'll probably see more of them in the future. This one's another sequel. Despicable Me 2 pulled in $83 million on its opening weekend, going on to make a whopping $351 million domestically. That's crazy! Audiences liked it a little bit more than the critics, though it still managed to earn 76% on the Tomatometer, rendering it fresh. Terminator 3: Rise of the Machines was the last movie Arnold Schwarzenegger would appear in before taking office as the Mayor of Hollywood, or Governor of California, for nearly nine years. Whatever it was, we've forgotten now. At the time, people were sort of indifferent to this action-packed franchise sequel. Over the years, that indifference has turned into pure hate, and no one ever talks about the movie in good terms. It made a disappointing $44 million on its opening weekend, only going onto make a low $150 million throughout its entire run. Its no wonder people thought the franchise was dead at this time. It did pull in a fresh rating, with 70% on the Tomatometer, but fans just didn't dig it. In our opinion, its better than Despicable Me 2 any day of the week. Others might disagree, so once again; we're going to pull in the other releases to call this one. What else did 2003 give us? One really bad sequel with Legally Blonde 2: Red, White, & Blonde and the forgotten DreamWorks animated effort Sinbad: Legend Of The Seven Seas. Sorry, 2003. We're going to have to give it to 2013, which also saw the release of this year's best stand-up comedy movie Kevin Hart: Let Me Explain, and the great indie comedy The Way, Way Back. So what if The Lone Ranger, the biggest financial flop of the summer, was also released here. Guess what? It's not that bad of a movie. Its better than Legally Blonde 2. We'll give it that much.
Pirates
Second Week of July: What? Despicable Me 2 is number one again, you say? With another $43 million? Well, it doesn't stand a chance against Pirates of The Caribbean: The Curse of The Black Pearl, which kicked off one of the most popular and lucrative franchises of the past couple decades. Here, we were introduced to Johnny Depp as the iconic Jack Sparrow, and it was love at first sight. The movie only pulled in $46.6 million on opening weekend, but that's because people thought a movie based on an amusement park ride was going to suck. Word of mouth quickly spread, and the rest is history, with this first chapter taking in $305 million. It was fresh on the Tomatometer with 79%, and audiences seemed to love it even more than critics. It was a far cry removed from The Lone Ranger ten years later. 2003 pretty much wins this weekend by default. Also released in 2003 was the poorly received comic book adaptation The League of Extraordinary Gentlemen. 2013, on the other hand, got the very awesome Pacific Rim (which opened at #3, if we're keeping track) and the only Adam Sandler sequel to ever be birthed into existence, Grown Ups 2. Still, come on. The first Pirates movie? Even with Pacific Rim chomping at the bit, 2003 wins.
The Conjuring
Third Week of July: Wow. This is a tough one. The Conjuring is one of the best horror films seen in years, and Bad Boys II has gone onto reach legendary status as an action milestone. One finds James Wan at the top of his game, while the other helps solidify Michael Bay as one of the greatest visual artists of our time. This one is too tough to call, so we're going to have to go directly by the numbers. Let's start with 2003. In its opening weekend, Bad Boys II pulled in $46.5 million to eventually earn $138 million that summer. It earned a 23% on the Tomatometer, which makes it as rotten as they come. The Conjuring earned a close $41 million in its opening weekend, pulling in $132.4 million thus far this summer. It, on the other hand, is certified fresh with 86% on the Tomatometer, giving it the edge. 2013 saw quiet a few new releases into theaters this weekend, with the mediocre sequel Red 2, the supernatural flop R.I.P.D., and the DreamWorks animated comedy Turbo, the only major animated summer release not to open at number one. Kristen Wiig also made her dramatic debut with the indie Girl Most Likely. Ryan Gosling gave us the artsy action thriller Only God Forgives, and there was the excellent killer whale doc Blackfish. That's a merry Christmas. 2003, on the other hand, gave us, gasp...Johnny English and How To Deal! How did we ever make it through that summer? The winner: 2013!
The Wolverine
Fourth Week of July: We got Logan in 2003, and we got Logan in 2013. Both, I'd say, were equally revered upon release. Hugh Jackman has come a long way, playing this same character six times, and we'll get to see him again next summer, too. Thing is, The Wolverine made considerably less than X2: X-Men United, which, if you remember, pulled in over $80 million its opening weekend. This solo Logan adventure only pulled in $53.1 million, going onto make $126 million since its July debut. Have people lost interest? Sort of. Seeing Wolverine on the big screen is not an immediate event anymore. While the movie is quite good, a lot of folks are going to wait for home video, or its eventual debut on FX. It is fresh with 68% on the Tomatometer, and the true fans seemed to enjoy it. Now lets talk about Spy Kids 3D: Game Over. It, too, was reaching its zenith as a franchise, and this particular installment had the dubious distinction of introducing 3D back into the marketplace, although you still had to wear those corny red and blue glasses of a bygone era to enjoy it. These movies were successful because they brought a lot of action, humor and excitement into something both kids and parents could enjoy equally. Sadly, this was before Sylvester Stallone made his big comeback. Witness one of his all-time worst performances! The movie brought in $33.4 million, going onto make $111 altogether. Not bad for a live action kiddy flick. We certainly don't see that happening in 2013. It was actually rendered rotten with 45% on the Tomatometer. It's pretty obvious that 2013 wins this weekend. Of note, the sequel Lara Croft Tomb Raider: The Cradle Of Life opened and bombed on this weekend in 2003, and we saw the release of the critical darling Seabiscuit. 2013, on the other hand, gave us two comedies that will continue to grow a strong audience as more people see them on the home circuit, with The to Do List and Blue Jasmine both making their debuts.
2 Guns
First Week of August: Now, we enter the final month of summer. The dregs. 2 Guns brings together Denzel Washington and Mark Wahlberg in one of the few comic book adaptations not involving superheroes. The strong marquee value of its leading men helped push the film to a debut of $27 million, one of the lowest earning weekends of the summer season. So far, it's only gone onto make $66.7 million. Will it top $100 million before the end of the year? Doubtful. Is it a bomb? Nah. It did alright for what it was. Its fresh on the Tomatometer with 63%. But does it have enough juice to beat the third installment of a popular teen franchise that kicked off at the tail end of the 90s? American Wedding took in a bit more this weekend, with $33 million, going onto earn a respectable $104.5 for its entire run. It was marked rotten with 55% on the Tomatometer, though. Most likely for its gruesome dog poo eating scene which is still able to give off nightmares. This weekend is notable for unleashing one of the greatest bombs into the pop consciousness way back in 2003. You think all the news surrounding Ben Affleck as Batman is bad? You must have not been around for the release of Gigli. The movie is legendary, and makes 2013 the winner by default. 2013 gave us the so-so sequel The Smurfs 2 and the quite beloved coming-of-age romantic adventure The Spectacular Now. Is it starting to come into focus how this year might be a little bit better than a decade ago? Just a little?
Elysium
Second Week of August: No contest here. Elysium is a neo-classic in the sci-fi genre, and one of the most, if not the most, original movies of the year. And one of the most entertaining. S.W.A.T. is a meandering TV-to-Movie reboot of a series no one cares about now, and no one cared about then. No one even remembers it came out until they breeze past Samuel L. Jackson or Colin Farrell's resume on IMDB. Elysium only made $29 million on its opening weekend, but has reached $72 million thus far, and is on its way to $100 million for sure, which means we'll get more movies from its inventive director Neill Blomkamp. Its fresh with 68% on the Tomatometer. S.W.A.T. , on the other hand, actually pulled in a bit more on its opening weekend, taking in $37 million. It would go onto make $116, which makes me wonder why we haven't ever seen a sequel. Oh, yeah, cause no one cares! (To be fair, there have been some direct-to-DVD sequels). Critics saw through it, giving it a rotten score of 48% on the Tomatometer. What else was released on this weekend? 2003 gave us the audience friendly remake Freaky Friday, which showcased a promising young star by the name of Lindsay Lohan. 2013, on the other hand, gave us a ton of new releases on this weekend, including the serviceable comedy We're the Millers, Disney's Planes (which was originally meant to go straight to DVD), and the pretty cool franchise follow-up Percy Jackson: Sea of Monsters. The indies Lovelace and Prince Avalanche were also released. This was 2013's weekend, hands down.
Freddy Vs Jason
Third and Fourth Week in August: Call us racist, call us what you will, but Freddy vs. Jason beats Lee Daniels' the Butler any day of the week. Horror fans waited a lifetime for this match-up. And it delivered in the moment. Looking back on it now, maybe it's not so great. But at midnight, drenched in liquor, the audience had a ball! The same can't be said for Lee Daniels' the Butler, no matter how important or great it pretends to be. This is summer, damn it! And Freddy vs. Jason is the end-all, be-all Drive-in summer movie if there ever was one. 2003 knew how to go out on top, with this franchise sequel pulling in $36.4 million its first weekend, followed by $13 million its second weekend. Critics might not have liked it, calling it rotten with 41% on the Tomatometer. Again, sorry for saying this, it has nothing to do with the contents of the movie itself, but Lee Daniels' the Butler is a lousy way to end the summer. It pulled in less than Freddy and Jason, with just $24.6 million on its opening weekend, but it fared better in its second weekend with $16.5 million. Its Tomatometer rating? Fresh at 72%. We don't care, though, we're giving these last two summer weekends to 2003. Whether you like it or not! Other notable movies released at this time in 2003 include the Western Open Range, the forgotten Uptown Girls, and the skateboard drama Grind. We also saw Jackie Chan in The Medallion, got the Ashton Kutcher flop My Boss's Daughter, and, lord save us, Marci X. 2013, on the other hand, actually gave us movies way better than Freddy vs. Jason! We got Kick-Ass 2, Jobs, Paranoia, The World's End and You're Next...We demand a recount! It looks as though 2013 actually wins these two weekends just with its secondary releases alone. Sorry Freddy! Sorry Jason! Damn, we called that one too early.

So, who is the true winner? 2013 by a long shot! It had 11 fresh #1 releases against 2 rotten #1 releases, and triumphed 12 weeks out of summer's golden 15. That left 3 weeks where 2003 had better releases. Plus, 2003 only had 6 fresh #1 releases against its 8 rotten #1 releases. There were more movies in 2013. And they were better. So, what do you think? Does 2013 still look like a bad summer for movies to you? Or are you happy its just not 2003? Let's have this conversation again next year. Maybe that will help put some things in perspective!

Thanks for playing!


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